But before she goes, Tony begs her to marry him so he’ll be sure she comes back, she speculates-and they have their first night of passion. Eilis will miss the funeral but still needs to return to Ireland at once. No one knows why, there must have been something wrong with her. Then comes crushing news from Ireland: Eilis’s adored sister Rose has died. The film gracefully shows how quickly and happily Eilis adapts to American life she dresses better, becomes more confident, passes her accounting test with flying colors and slowly but surely falls in love with Tony, who is a most patient and good-natured gentleman on every count. One hilarious interlude involves Eilis being taught how to eat pasta without splashing the sauce in preparation for going to Tony’s home for dinner, an event dominated by his uncensored eight-year-old brother, who begins by informing the family’s polite guest how much the Italians hate the Irish. This being 1952-they see The Quiet Man on a date-the courtship proceeds slowly, with many walks, regular weekend dates, fond but polite talk and scant physical contact. It’s at a dance, though, that she meets a sweet Italian boy, Tony (Emory Cohen), who works as a plumber and is a goner for Eilis from the get-go. Initially scared stiff at work, Eilis industriously takes a class in accounting at night, helps out the smart old priest who brought her over (a warm Jim Broadbent) in serving Thanksgiving dinner to destitute old men and attends the rather desultory weekend Irish dances with the amusingly motley girls from the boardinghouse. Eilis is like unformed clay at the outset, a polite listener at the dinner table of the small boardinghouse for girls presided over by the strict and opinionated Mrs. The church has arranged passage, a place to stay and a job for Eilis in Brooklyn, a place loaded with Irish at the time. But his is a stellar adaptation in every respect, filled with vibrant small roles for excellent character actors and instilling two love stories with their own very different feels.Īt the center of it all is twentyish Eilis Lacey ( Saoirse Ronan), who lives with her mother and much admired older sister Rose in Enniscorthy, County Wexford in southeast Ireland (and which just happens to be where Toibin is from). Screenwriter Hornby has had to sacrifice much wonderful detail from the book, particularly about the new arrival’s first American job in a department store. The initial shackles of homesickness quickly diminish as a fresh romance sweeps Eilis into the intoxicating charm of love.2023 Oscars: Multiplatform +7 Day Ratings Indicate Nearly 20M Watched ShowĪlthough at heart a love story and a singular immigrant saga, the narrative in both the novel and the film are so rigorously calibrated that, when it comes down to the decision about which man and which country she will pick, it feels more like a suspense tale, with lives hanging in the balance. Lured by the promise of America, Eilis departs Ireland and the comfort of her mother's home for the shores of New York City. Synopsis: Eilis Lacey is a young Irish immigrant navigating her way through 1950s Brooklyn. Any comments which show that the user has neither seen nor intends to see the movie will be removed If you haven't seen the film but would like to see the result of the poll go here: ĭisclaimer: This is a discussion thread.
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